Stunt Coordinator TJ White from T Minus Productions is a 2nd Generation Stunt Coordinator 2nd Unit Director. He entered the Stunt Business professionally in 1991 right out of high school. This Action Designer is the CEO of T Minus Production a production company and stunt company in Los Angeles California. T Minus Productions produces action scenes for some of highest profile talent in the entertainment business.
Check TJ White’s 2017 Stunt Coordinator Reel below. This is just his most recent footage clink the youtube link to see earlier pieces of his work.
Action Director TJ White on set of Amazon’s Grand Tour
Amazon’s The Grand Tour with Jeremy Clarkson, Richard Hammond and James May came to Los Angeles to make a statement of why they are the premiere car show on television. Using millions of dollars of vehicles from Aston Martin, Mercedes, Lamborgini, Rolls Royce , Mike Ryans Freightliner Race Semi, Porsche and one of a kind vehicles driving in the Mohave dry lake bed while the host comes blasting through the lines in brand new Mustangs.
This was done with professional drivers and some driving their personal cars. In doing so it took several hours of rehearsal to the over 50 plus drivers to be able to drive at a high rate of speed and hold there mark for several miles while the host come racing though the line. Action Director TJ White from T Minus Productions was brought in to supervise and design the action along with Safety consultant Adam Atella. Using experienced consults helps a production not only be safe of save time while actually filming. This saves a production money in the long run.
Revolutionary Mindovereye Productions takes a concept from inception to reality in this dynamic commercial for the new 2016 Honda Civic for there new ad campaign Dream Track created by the people on social media. This could be very complicated process but using a full service production company like Mindovereye allows an ad agency to follow the process in one location from concept, to shooting, to post productions. Mindovereye known for working with companies like Honda, Motortrend, Nike, Chevy, and Dodge. Their type of branded content allows the consumer to get a more intimate experience with the product.
Working with a brands like Honda allows everyone on the creative team to push the envelope on the look, style, and performanceof the new 2016 Honda Civic. When the creative team created these type of stunts they contacted a stunt coordinator to see what was safe and feasible for their shoot. On this particular shoot the stunt coordinator was able to assist with the SFX Supervisor the fabrication of the car to make this all possible. Working with the right Car prep company like LA Prep helped with the set up of the car to make sure the integrity of the car was not damaged while doing these type of stunts.
TJ White from T Minus Productions was brought in to over see the stunt driving. He brought in Professional Stunt Driver Matt Powers to drive the car. Designing the tracks and testing the equipment and cars was done before even trying to perform these stunts in these cars. Proper prep helps with understanding the car’s action and designing dynamic performance driving.
Watch and enjoy your ride with Honda’s Stunt Dream Track.
Stunt Driver Matt Powers driving around a full size pinball machine
Stunt Coordinator TJ White from T Minus Productions and Stunt Driver Matt Powers
Chuck Hank and the San Diego Twins was a labor of love for indie film company Coatwolf. Coatwolf got a lot of attention years ago with “Bellflower” at Sundance. This is their follow up film written, directed, and produced by the company. Using a very gritty and unconventional filming techniques these filmmakers do what ever takes to bring there creation to life. Early on in there development of the project Director / Producer / Actor Jonathan Keevil and Producer / Actor Evan Glodell knew they needed someone that could help them with the action. So they contacted TJ White at T Minus Productions to help with with there film. When meeting and developing the action scenes they all decided that it would be best for TJ and T Minus Productions to come on and produce the action scenes with them. Lead my T Minus ProductionsLauren Pacheco to associate produce the film and help facilite high budget film action on a modest budget indie film.
Lauren and TJ’s first order of business was to get the actors into shape and train them to be fighters. They didn’t want to use Stunt doubles for the fight scenes so they would have to train to be able to do the moves that would be needed for these fight scenes. After weeks of training the actors they went into pre-vis with TJ’s stunt team to design the fight scenes that fit there script. After all the pre-vis and training the team sat down with there Director of PhotographyJoel Hodge and storyboarded the action scenes . This was a very detailed process planning out all the action so that every moment on set would be taken advantage of. Take a look at the first official trainer below.
Cast and Stunt Crew for a scene on Chuck Hank and San Diego Twins
Director Jonathan Keevil with Stunt Coordinator TJ White and Fight Trainer Kelly Carter
Director Ryan Pallotta has an artistic eye to create beautiful music videos much like you see on high profile fashion exibits. It was his wish to levitate Olivia with wires to give her a weightless dream state sequence. Being able to fly an artist makes it even more special for a director so that they could see the artist face and body language in the same shot.
Some people may think floating a bed in the middle of a dry lake bed would be impossible. But to Stunt Rigging Companies like T Minus Stunt Rigging Inc and Action Design Company T Minus Productions lead by Stunt Coordinator TJ White it is all in a days work. Fabricating a steel frame to enforce the bed for the first hurdle had to overcome. With out changing the integrity of the bed and not damaging this expensive piece of furniture. Every cable, clamp or fitting was custom fabricated to be able to levitate this bed up in the air from a crane.
This particular project was Production Designed by Alex Delgado “Lady Gaga, Calvin Harris, Nicki Minaj”. In working with such a busy and talented production designer like Alex, a person needs to be able to create an action sequence that is safe while giving him the shot they want.
Olivia Somerlyn on a bed floating in the air in the middle of the desert
T Minus Stunt Rigging Inc and Montster Cranes Setting up
Lee Jeans Commercial went big with Stunts to show off there jeans. Using a stunt rider to drive a Harley Davidson down the road at 65 MPH and then standing on the seat while being filmed.
Working with motorcycles can be difficult. Different bikes have a different set of problems. Contacting someone knowledgeable in motorcycles can help a production source the right bike, the right rider and customize it to do what you want it to for the shot.
Blueman Groups calls Stunt company again to create death defying stunt to announce there return to the Luxor Hotel in Las Vegas. The Blueman Group is 20 years old and they love to go big with everything they do. T Minus Productions did there live show in Los Angeles with a 189 ft decelerator highfall at there Hollywood Bowl Show. So it was not a surprise that when they were returning to the Luxor Hotel this year they wanted it to be an event people would talk about.
100 media corespondents listening to one Blueman play the drums to announce the opening of there new theater. Just then two spot lights pan straight up 28 floors inside the Luxor Hotel to see 2 Bluemen repel down to the theater level to open the curtain of the theater.
Live events are very hard to incorporate stunts and it takes extensive planning and rehearsal to pull it off safely. When trying to do stunt like this you should always use a professional. Stunts are dangerous and should only be stunt by experienced individuals.
Blueman repelling down 28 stories inside the Luxor Hotel in Vegas
Blueman Group with T Minus Productions TJ White and Lauren Pacheco
Blueman Group getting ready repelling down 28 stories inside the Luxor Hotel in Vegas with T Minus Stunt Rigging Inc. Crew
Check out Marshall Mathers / Eminem” exciting music video for the film South Paw with Jake Gyllenhall. Using high concept action you would see in a marvel film. This music video pushes the limit when it comes to action, stunts and octane in 5 minutes. Marshall did an amazing job doing his own stunts on wire flying over a flat bed truck after crashing on a motorcycle.
DNA films brought in veteran Action Director / Stunt Coordinator Andy Armstrong from Armstrong Action and TJ White from T Minus Productions to design and supervise the action for this music video. Using professional Stunt bike riders, Parkour, fight specialist, Wire Specialist and a stunt driver to safely perform these stunts within the 5 day shoot in LA. Andy Armstrong best know for the last 2 Spiderman films was able to show the production team a design of his action to be able to shoot in all in the time they had. Most films take weeks to achieve what you will see is this video.
Def Jam artist Logic goes big with his latest music video for his newest album “Under Pressure”. Logic, a self proclaimed movie buff, started story boarding months before actual production with Greenglow Films Director Stephen Wayne Mallett. Producers Alec Eskander and Kevin Lee oversaw production for Greenglow Films.
Using so many guns you really have to bring in a professional Armour like Mike Tristano. Mike is best know for films like; 310: to Yuma and Jeepers Creepers II. Using so many guns we only used qualified Stuntmen that have had extensive training with weapons, fights and falls. In this particular video Greenglow Films Contacted Jim Zahnd and TJ White to stunt coordinate the action in this first person shooter video game style music video. T-Minus Productions’ Stunt Department cast all of the stunt performers for the video. T-Minus Productions used some of the top Stunt Doubles in the business for actors such as Bruce Willis, Ben Stiller, Adam Sandler, Ashton Kutcher and Chad Micheal Murray. Using these highly trained stunt performers allowed production to be able to rehearse the fight scenes and film the music video all in the same day.
Using an experienced Stunt Coordinator and the right amount stunt performers allows a production to save money in re-takes, safety from injuries, overtime, and equipment damages. Proper planning allows the director, producer, and talent to acheive their vision. On set the Stunt Coordinator and his or her team can work with the Director and camera department to get something really dynamic action pieces. Take a look at Logic’s action packed Music Video “Under Pressure” below.
Logic : Under Pressure – Music Video for Def Jam Records
Stuntman Nicholas Verdi was also the POV Cameraman
Stunt Driver Chris Nielsen Crashing through Plate Glass
When planning a car stunt, Directors, Producers, and Production Designers utilize the expertise of a Stunt Coordinator, Action director or 2nd Unit Director to guide them. Many people have seen the Ken Block drifting videos or the high octane stunt driving in Need for Speed or Fast and the Furious Franchises. But being able to have these cars perform like they do in those action scenes takes months of prep. Just like this Subaru car that has been modified before it came to the testing site at Willow Springs raceway to test. Even with the added modification from the owner of this vehicle, it took additional modification to make the car do what it needed to do for this particular commercial. You have to remember the cars used in the big drifting videos and films have hundreds of thousands of dollars in modification to perform these dynamic stunts.
Testing is a very important step for a Stunt team to prep a car. It comes down to the type of tires you use, the air pressure, the temperature of the environment, the horse power of the vehicle, and the breaking system. To have the vehicle dance around like a ballerina on the asphalt takes preparation, time, and experience. A Stunt driver must have the proper breaking system in the car. This breaking system has to be installed by qualified car prep riggers. During testing and even on the day of the shoot there are adjustments that are always made to tweak the car to be able to do the action the director requires. This is when you need your car prep to be savvy, efficient, and knowledgable. These systems can be well over $2500.00 for just one car.
When looking for a vehicle to use in these exciting action scenes contact a qualified Stunt Coordinator to assist you in prepping and choosing the right vehicle. This will save you time and money on the day of shoot. There is nothing worse then getting to set and not getting what the director wants while shooting. It also takes a qualified experienced Stunt Driver to perform the stunt driving.